SOUND AND STORY, AMPLIFIED

Do your interests or work include Broadcast and Streaming, Networked Audio, Audio for Virtual and Augmented Reality, Live Sound, Studio Recording, Home Recording, Music Production, Game Audio, Sound for Picture or Product Development? AES New York 2018, the 145th Audio Engineering Society International Convention has you covered in one exclusively end-user focused event.

All Access registration provides access to the entire Convention, including a comprehensive papers, workshops and tutorials program. Exhibits-Plus access gains you entry to the exhibition floor and demo rooms, where leading manufacturers reveal and demonstrate the latest in audio hardware and software tools. The "Plus" includes the application-oriented sessions on the exhibit floor Expo theatres and Pavilions, along with other special events.

NAB Media in Action

AES New York 2018 will be co-located with the independent NAB Show New York 2018 event. In an adjacent exhibition hall, NAB Show New York exhibitors will be on hand with the latest video and distribution hardware and related sessions. Your Exhibits-Plus or All Access AES New York registration includes access to both exhibition halls.

If It's About Audio, It's at AES!

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Featured Events

This is just a small sample of what happened at AES New York 2017!

Wednesday, October 18th

09:00 - 10:30

TW01   Audio Engineering with Hearing Loss—A Practical Symposium

Jon Boley; Richard Einhorn; Larry Revit; Michael Santucci

Listen to the experts talk about the audiological perspective and practical issues of audio engineers with hearing loss/tinnitus.

09:00 - 10:00
Nuno Fonseca

SA01   Crash Course in 3D Audio

Nuno Fonseca

This tutorial will present the most common 3D audio concepts, formats, and technologies.

09:00 - 10:30

B01   Designing and Constructing a Radio Performance Space

David Prentice; Sam Cappas; Joshua Morris; Steve Shultis; Jeff Smith

09:00 - 11:00
Bozena Kostek

P01   Signal Processing

Bozena Kostek

Examples of what's new in Signal Processing.

14:00 - 15:30

B03   Deconstructing Binaural MacBeth

Sue Zizza; David Shinn; Neil Hellegers; Amanda Rose Smith; Dion Graham; William Dufris; Robin Miles

Learn how experience live theater-going/streamed audio drama in an immersive sense.

Thursday, October 19th

09:00 - 10:30

PD03   What Happens in a Patent Lawsuit?

John Strawn; Thomas Millikan

This session covers the mechanics of patent lawsuits and what you can expect when you are involved.

10:45 - 12:15

TW05   New Developments in Listening Test Design

Brecht De Man; Jan Berg; Jürgen Herre; Todd Welti

10:45 - 12:45

EC03   SPARS Mentoring

This event is specially suited for those interested in career advice.

13:30 - 15:00

PD05   Loudspeaker and Amplifier Power Ratings: Is it Time to Start Over?

Klas Dalbjörn; Charles Hughes; Claudio Lastrucci

What are the relevant requirements and how can we move forward to a unified way to understand and specify loudspeakers and amplifiers?

17:00 - 18:00
Patrick Kilianey

NA03   First Steps with Digital Audio Networks

Patrick Kilianey

Learn the value audio networks bring as it replaces massive analog and digital interconnects, splitters, routers, & computer interfaces.

Friday, October 20th

10:45 - 12:00

AC08   Constructing a 5.1 Home Studio for Film, TV Mixing

Roger Guerin; Jean-Luc Louradour

Demonstrating the ins and outs of a basic home mixing stage.

13:30 - 15:00

B10   Podcast Production

Rob Byers; Ramtin Arablouei; Kate Bilinski; Austin Thompson; Jonathan Mitchell

Learn creative techniques, technical workflows, & strategies for the craft of podcasting.

13:30 - 15:00

GA12   The “Horrific” Sound of Resident Evil 7: Biohazard

Akiyuki Morimoto; Ken Usami

The team will discuss about how the music design achieved the horror aspect of sound design and the game.

14:00 - 15:30

P15   Applications in Audio

Welcome to one of the best poster sessions happening in NYC this week!

15:15 - 16:15
Tom Ammermann

SA09   Kraftwerk and Booka Shade —The Challenge to Create Electro Pop Music in Immersive / 3D Audio Formats Like Dolby Atmos.

Tom Ammermann

Production philosophies, strategies and workflows to create immersive/3D in current workflows and DAWs will be shown and explained.

Saturday, October 21st

09:00 - 10:15

SR04   Theatrical Sound Design

Nevin Steinberg; Kai Harada; Scott Lehrer; Nicholas Pope

10:45 - 12:15
Dan Mortensen

AR11   30th St. Studio

Dan Mortensen

Chronological history of the renowned studio from it's begining as a church through it's heyday as a recording studio to it's demolition in 1982.

13:30 - 14:30
Tom Ammermann

GA15   Create Sound and Music for VR and 360 Using Common DAW Workflows.

Tom Ammermann

This session focuses on the latest initiatives and developments of Augmented and Virtual Reality research and development centers.

13:30 - 15:00

TW10   Towards the New Horizon of Technical Ear Training

Sungyoung Kim; Jason Corey; Kazuhiko Kawahara; Doyuen Ko; Sean Olive; Timothy Ryan

This event aims to provide the attendees with chance to experience theoretical and empirical matters of ear training programs.

15:00 - 17:00
Chris Pike

B13   What's This? Doctor Who with Spatial Audio!

Chris Pike

What happens in post to transform a normally recorded episode into a magnitude-enhanced experience?

Event FAQs

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Exhibition Hours

Oct 17th   10am - 6pm

Oct 18th   10am - 6pm

Oct 19th   10am - 4pm

Technical Program

Oct 17th   9am - 6pm

Oct 18th   9am - 6pm

Oct 19th   9am - 6pm

Oct 20th   9am - 4pm

Registration Desk

Oct 16th   3pm - 7pm

Oct 17th   8am - 6pm

Oct 18th   8am - 6pm

Oct 19th   8am - 6pm

Oct 20th   8am - 4pm

You can pick up your badge from the Registration Desk during registration desk hours. They can look you up by name, or if you have received a barcode email then print it and bring it with you - that will speed up the process.

Registration Desk Hours

Oct 16th   3pm - 7pm

Oct 17th   8am - 6pm

Oct 18th   8am - 6pm

Oct 19th   8am - 6pm

Oct 20th   8am - 4pm

Yes! The world's largest pro audio end-user event returns to New York in October 2018, for the 145th International AES Convention. Building on successes in New York in 2017 and LA in 2016, the Exhibition floor is poised for outstanding end-user contact.

Drawing additional attendees into the Exhibition hall, the exhibit-floor stages of the Live Sound Expo and the Project Studio Expo are proven to increase exhibits area traffic. In addition, new stages and events are being launched to further draw attendees to the Exhibition hall - the Broadcast Audio Expo and Broadway Sound Expo, a new software@aes Pavilion, an Audio 4 VR Pavilion, and a series of Mix with the Masters Mixing Workshops.

High visibility and high performance sponsorship opportunities are available for the Convention, track sessions and the Exhibits-area events. These sponsorships offer unparalleled advertising and branding benefits.

Our app for AES New York 2018 is still being finalized, but yes - we'll definitely have one!

Become an AES Member

Along with the status of peer-recognition as an audio professional, AES membership also affords discounts on convention registration.

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15,590

Registrants (in 2017)

0,736

Speakers & Authors (in 2017)

0,331

Sessions (in 2017)

0,028

Sponsors (in 2017)

2017 Sponsors & Exhibitors

Thanks for helping us make this event possible.

Venue Information

Jacob K. Javits Convention Center

Location

Jacob K. Javits Convention Center
655 W 34th St
New York, NY 10001

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